from [/villagepump/harmonic miner scale](https://scrapbox.io/villagepump/harmonic miner scale). https://www.youtube.com/watch?v=oShTlxAxLdQ
from I like 3~.
- If you look at it as a minor scale (like C↔Am),
3
becomes dominant, and if you set it to3~
, the semitone raised becomes the leading tone to the root note of6
, and if you set it to3~7
, it becomes tritone (triad), so it progresses to6
more and more. It seems to be easier to progress to6
. - Maybe that’s why the chorus6
from3~[7]
in Cruel Angel Thesis sounds so pleasant. - I have no idea, so I watched the video and tinkered with InstaChord a bit and figured it out.
- First of all, with InstaChord, it’s usually displayed as C/Am.
- Since 1 is C, this is a major scale
- At this time, 3 is Em and 6 is Am.
- In the minor scale, Em is dominant and Am is tonic
- In other words, going from 3 to 6 in a major scale is the equivalent of going from dominant to tonic in a minor scale.
-
- Compared to the major scale, the minor scale has a weaker dominant to tonic connection.
- Because it’s not moving in semitones relative to the base note of the tonic.
- 3~ing in the C/Am state is to E the Em.
- Em becomes E, which means So becomes sharp.
- 3~→6 would be a semitone shift from So# to La
- Also, in the Seventh Chord, the Re is sounding, so the So# and Re make a tritone.
- Compared to the major scale, the minor scale has a weaker dominant to tonic connection.
- First of all, with InstaChord, it’s usually displayed as C/Am.
relevance
- [/villagepump/InstaChord’s minor scale is the harmonic minor scale](https://scrapbox.io/villagepump/InstaChord’s minor scale is the harmonic minor scale).
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