from [/villagepump/harmonic miner scale](https://scrapbox.io/villagepump/harmonic miner scale). https://www.youtube.com/watch?v=oShTlxAxLdQ

from I like 3~. /villagepump/shoya140.icon

  • imageimage
  • If you look at it as a minor scale (like C↔Am), 3 becomes dominant, and if you set it to 3~, the semitone raised becomes the leading tone to the root note of 6, and if you set it to 3~7, it becomes tritone (triad), so it progresses to 6 more and more. It seems to be easier to progress to 6. - Maybe that’s why the chorus 6 from 3~[7] in Cruel Angel Thesis sounds so pleasant.
  • I have no idea, so I watched the video and tinkered with InstaChord a bit and figured it out./villagepump/nishio.icon
    • First of all, with InstaChord, it’s usually displayed as C/Am.
      • Since 1 is C, this is a major scale
      • At this time, 3 is Em and 6 is Am.
      • In the minor scale, Em is dominant and Am is tonic
        • In other words, going from 3 to 6 in a major scale is the equivalent of going from dominant to tonic in a minor scale.
      • image
        • Compared to the major scale, the minor scale has a weaker dominant to tonic connection.
          • Because it’s not moving in semitones relative to the base note of the tonic.
        • 3~ing in the C/Am state is to E the Em.
        • 3~→6 would be a semitone shift from So# to La
          • Also, in the Seventh Chord, the Re is sounding, so the So# and Re make a tritone.

relevance


This page is auto-translated from /nishio/ハーモニックマイナースケール using DeepL. If you looks something interesting but the auto-translated English is not good enough to understand it, feel free to let me know at @nishio_en. I’m very happy to spread my thought to non-Japanese readers.